For your convenience, The Pfister has assembled a handy interactive Google Map of all of the participating venues in this weekend’s gallery night. Zoom, click, drag, and scroll your way around the map to see the full picture of what Milwaukee’s Gallery Night has to offer.
Unfortunately for us, our Artist in Residence, Shelby Keefe, has reached the end of her fellowship with the Pfister Hotel. We have been honored to have her diligently working in the gallery all year and want to celebrate her achievements and recognize the impact she has made on all of us here at the Pfister.
Join us as we bid farewell to our Resident Artist, Shelby Keefe, with a celebration in the Rouge Ballroom.
Shelby will leave behind her legacy piece which will remain in the Pfister until the end of time. Shelby’s urban landscape painting of Wisconsin Avenue at dusk is sure to impress. Hear Shelby describe the inspiration behind the piece and her reminiscing on her time at the Pfister.
Also noteworthy is the release of the private label Mason Street Grill Cabernet which features Shelby’s artwork. Part of the proceeds of each bottle sold throughout the year will benefit the Creative Alliance.
Here is a preview of the label featuring Shelby’s artwork.
We will also pay homage to the past Pfister Narrators, Julie Ferris and Stacie Williams, with the release of their Narrator books. Julie and Stacie will be on hand to chat with guests and sign their respective volumes. Who knows, they just might guest blog about the evening!
The festivities begin at 6pm on Tuesday, March 27, 2012 with a brief presentation followed by complimentary snacks and a cash bar, live music, and a live poetry reading. RSVPs to Amy Hansen (firstname.lastname@example.org) are appreciated.
This is the final day of UPAF’s Artists Among Us 16 in 16 by Shelby Keefe. Shelby has been working very hard and creating some absolutely stunning art for these amazing art organizations around Milwaukee. Today, for the grand finale, Shelby uses UPAF itself as the center of her 16th and final piece. She wanted to paint a transfixed audience because UPAF is one of the reasons there is so many artistic performances available for our viewing pleasure. UPAF helps artists get on stage to be appreciated by all of us and Shelby wanted one piece that expressed this idea.
This is the last day of a sixteen-day project. We invite you to catch up with Shelby’s series at her studio or online.
The Bel Canto Chorus inspires Shelby’s second UPAF Artist Among Us piece. Her subjects are the Bel Canto singers during their performance from the “United We Stand” concert in Cathedral Square Park.
This is day two of a sixteen-day project to be completed on March 16th. We invite you to observe and follow Shelby’s creative process at her studio or online. Please check back frequently to see Shelby’s progress.
Shelby intends to complete each painting in one day through March 16th. We invite you to observe and follow Shelby’s creative process at her studio at The Pfister and online. Please check back frequently to see Shelby’s progress.
Shelby will create a special 12” x 12″ painting for UPAF and each of its member groups.
These 16 paintings will happen over the course of the 16 days. This collaboration represents a unique opportunity for the performing arts to shine in a visual arts platform and to highlight the diversity our arts groups have to offer our region.
The complete schedule of paintings are as follows:
Your votes are in and tabulated. On behalf of all the Artist in Residence candidates we want to thank the community for there overwhelming support via the online and paper voting.
Voting is just one of the final steps to becoming Artist in Residence at the Pfister Hotel. Today the Artist in Residence Committee will convene to deliberate the votes and discuss the candidates. “I am very excited to see the committees conclusion on deciding who our next Artist will be, seek ” says Joe Kurth, General Manager of the Pfister Hotel. “It’s really great to see all of the community involvement in this annual campaign.”
The final votes from the online campaign were as follows…
Pamela Anderson – 1,359
Brandon Minga – 764
Timothy Westbrook – 588
Hal Koenig – 398
Matt Duckett – 321
Albin Erhart – 100
Again, we wish the best of luck to all candidates. The committee will announce the next Artist in Residence, on or after February 14th, 2012.
Home to more Victorian Art than any other hotel in the world, the historic Pfister Hotel in downtown Milwaukee for the past three years has hosted a nationally recognized artist-in-residence program. A selection committee, consisting of members of the local art community, has announced the six finalists for the 2011—2012 term of the program. This year’s finalists are Pamela Anderson; Matt Duckett; Albin Erhart; Hal Koenig; Brandon Minga; and Timothy Westbrook.
“Each year of this program we are astounded by the amazing talent seen in the applicants,” says Joe Kurth, general manager of The Pfister Hotel. “With great consideration, the selection committee has chosen six outstanding artists who remain in the running. Now it’s time for the public to help us decide who will be moving into The Pfister come spring.”
Beginning mid-January 2012, members of the public will be able visit The Pfister’s Facebook page and website to vote for the artist they’d like to see as the next artist in residence. Votes also can be cast via Twitter. The selection committee will announce the next artist in residence mid-February.
Work by the six finalists will be displayed at Gallerie M, inside InterContinental Milwaukee, for January Gallery Night, Friday, Jan. 20, 2011, where the public will be able to vote via ballet box, in addition to the other methods.
The Pfister’s Artist-In-Residence Program
Entering its fourth year, The Pfister’s Artist-in-Residence program features a working art studio and gallery that is open to hotel guests and visitors. The program encourages the public to interact with the artist and witness the evolution of each piece first-hand. The artist chosen for the 2011—2012 term will move into the studio space in April 2012.
Over the past few years, The Pfister has received national attention for its Artist-in-Residence program. Since 2009, the hotel has been a member of the Alliance of Artist Communities, www.artistcommunities.org, an international association of artists’ communities and residencies featuring a diverse field of more than 1,000 programs worldwide. In 2011, The Pfister’s residency program was highlighted at the organization’s annual international conference.
“When I first decided to be a professional artist, I wanted that fishbowl experience, so I got a storefront studio,” Reggie says.
“It’s not intimidating to discover an artist in public space,” adds Caitlin.
A group of us are seated in the Lobby Lounge, discussing the two residency programs the Pfister has developed for art and writing. As the current artist-in-residence, Shelby Keefe, is out of town, the inaugural AIR, Reginald Baylor, joins us instead – along with his business partner Heidi Witz. One of the managers, Jessica, is also taking part in the conversation, at the head of which is Caitlin Strokosch, Executive Director of the Alliance of Artists Communities. The goal of the Alliance is a clearinghouse of information for artists seeking residencies (places to cultivate their particular art) and for residency providers. While these residencies are certainly there to help an artist create original works and become better at what they do, there is an important public component to them. 90% of the more than 1,000 programs worldwide have an engagement with their local communities.
This public engagement is hugely important. A 2003 study by the Urban Institute found that while 96% of Americans valued the arts, a mere 27% valued the artists. The study concluded that “Making a real difference in the creative life of artists will entail developing a new understanding and appreciation for who artists are and what they do, as well as financial resources from a variety of stakeholders. Achieving these changes involves a long-term commitment from artists themselves, as well as arts administrators, funders, governments at various levels, community developers and real estate moguls, not to mention the business and civic sectors.”
There’s a clear disconnect between the art we see and experience, and those creating it. Caitlin explained, “a lot of residencies struggle with that aloneness of creating art, wondering how to you let the public into that process.”
The assistant front desk manager, Jessica, originally thought the artist-in-residence program at the Pfister was primarily for enriching the guest’s experience. “What I noticed was a lot of people would come here – not just stay here – and consider the Pfister a part of that Milwaukee experience. The community and city has gotten involved. It was such a pleasant surprise.”
Seeing artists as “regular Joes” by seeing the backs of their paintings as opposed to the fronts that create a sense of idolization, that separation of the artist from the art viewer that results in the divergent numbers of people who appreciate art, but not art makers.
For-profit companies are one path to bringing the public into the artist’s process, bridging that gulf between art and artist in the eye of the public. Businesses that see creativity as an asset, that invest in the new creative economy, find themselves nurturing a different craft or conversation product, one that’s not much different than the culinary arts of Mason Street Bar & Grill, the fashion arts of Roger Stevens or Boutique B’Lou, the music artistry from pianists in the lounge or in Blu, or the healing arts of WELL Spa. Customers and guests then see each of their experiences has having artistic merit, which bolsters value of other arts.
The struggle between artists creating “to create” and artists creating for production and money is a historically constant one. “It’s a conundrum,” Reggie says, “Professionals won’t do their work if they’re not getting paid. Why should artists have to be any different?” With the rise of local art shows like Made in Milwaukee, and online marketplaces like Etsy, artists are finding ways to create art, but also make, or supplement, a living with those creative gifts.
The Pfister’s unique approach to this investment into the creative economy has now stood for a few years as a shining example of how art and business and co-exist in a mutually beneficial partnership.
Just down Wisconsin Avenue, at the hollowed-out Grand Avenue Mall, a similar partnership has begun. The new owners had an open house in June that featured a local design firm and Creative Alliance Milwaukee, showcasing how the mall plans to open up to more nonretail use. Already, two arts organizations, ArtMilwaukee and Milwaukee Public Theatre, have moved into empty storefronts there, joining the same wing as the offices of online magazine ThirdCoastDigest.
Milwaukee’s creative economy is growing fast, and being a part of this sort of new, engaged partnership between business, art, and the public has certainly lit a fire under me to continue to remain engaged and supportive of these endeavors. And, I see the next Pfister Narrator, Ed Makowski (stepping up to the proverbial desk on November 1st), taking this program to even greater heights within that growing community.
Last month, see The Pfister Hotel’s Artist in Residence, Shelby Keefe, began her mission to create a painting a day for 30 straight days. Using her own photos and images from the public as inspiration, buy cialis Keefe has focused her pieces on people in local, urban landscapes.
The 12” by 12” works, along with several of her other paintings, will be on display during gallery night and in her studio at the Pfister Hotel until early November. The works also will be featured at The Peninsula School of Art in Fish Creek, Wisconsin at a show this late fall.