On March 24, Pamela Anderson revealed her collection of art produced during her residency at The Pfister. The Pop-Up Gallery was alive with color and conversation before the pièce de résistance, the unveiling of her Legacy piece, which will soon grace the hallway next to the legacies of the former AIRs: Reginald Baylor, Katie Musolff, Shelby Keefe, Timothy Westbrook (well, his is in a glass case on the grand staircase landing), Stephanie Barenz, Niki Johnson, and Todd Mrozinski.
Here are just a few remembrances of the evening–and a sneak peak into the new AIR’s revamped studio. Get ready to be transported to a different era with Margaret Muza’s tintype photography. Story coming soon!
This project is a metaphor for that inner place we go to when we take creative risks. It also represents the playful creative spaces we built as children, like a tent made of blankets, or a shelter made of branches, places where we felt secure and free to express ourselves. I have to silence the outer world sometimes, so I asked myself, When have I felt the most secure.
~Jeanne Nikolai Olivieri
Wait. If The Lounge was a place to relax, what’s The Retreat?
Perhaps it’s a lounge that’s a little farther out but more inside your Self.
Look around. Read the artifacts, like laundry hanging to dry.
Strike a pose like nobody knows. This is your retreat.
Just don’t forget to leave your own artifact: a message, a hope, a musing.
There’s room on the line for everyone.
This project was a knee-jerk reaction to the phrase ‘think outside the box.’ To me, it’s trite and empty. I mean, every brushstroke, every creation, is a risk. When we take our biggest risks, we go inside. That’s why this is called ‘Inside the Box,’ because it’s like getting inside the self.
~Jeanne Nikolai Olivieri
A Drawing Room? Isn’t that like The Lounge and The Retreat?
Does the name of the box dictate what I must do?
Ah . . . no lava lamps or hewn logs here. Only a chandelier of freedom.
Take a risk. Draw a nude. Announce your calling. Preach the light.
I don’t like the word ‘should.’ It’s a difficult word. I’d prefer ‘I could do ___.’ This is all about letting go of ‘should’ so that people have the freedom to create what they want. These are safe spaces, then, with no requirements. I ask people to try to refrain from using the word ‘should’ while they create in the boxes.
~Jeanne Nikolai Olivieri
Jeanne Nikolai Olivieri’s INSIDE THE BOX exhibit runs through March 4th in The Pfister’s Pop-Up Gallery. The immersive environments invite you to leave a mark on the world, to share part of your Self (in fact, the word “character” comes from the Greek kharakter meaning “engraved mark” or “symbol or imprint on the soul”).
Jeanne works mainly with watercolor, acrylics, and mixed media, so these large-scale boxes certainly challenged her artistically (and logistically–once you see how tall they are, think about how she got them into The Pfister’s elevators and doorways . . .). She comes from a long line of artists, including her four sisters, her mother, her uncles, and her grandfather. Her studio is located in the Marshall Building, 207 E. Buffalo, Suite 602.
Accompanying the boxes are selections from her series “Cabled Together,” which, according to her artist statement, explores the “often-overlooked power lines, cables, and wires that connect us. The tangled webs of wire, the ways in which they divide space, the mystery of the many gadgets that accompany them, and the structures on which they hang or which they support are intriguing and fascinating. I travel frequently, thus my work represents cables in a variety of environments.”
It’s Pamela Anderson’s first day as the Pfister’s new Artist-in-Residence. I will endeavor to answer all the questions that come along with Pamela’s name.
No, she does not know David Hasselhoff.
No, she does not tease up a mane of golden blonde hair.
No, she does not run down sandy beaches in her swimsuit saving wayward surfers…well, at least I’m pretty sure she doesn’t.
And, yes, Pamela is a painter who is bold, expressive and the first of her kind for the Pfister. Pamela is the first abstract painter in the Pfister’s roster of artists who have made the ground floor studio their home.
Here are a few other things to know and adore about Pamela.
She’s tough. She’d never talk about it, but health issues have tried to slow her in recent times. Pamela brushes all that off and simply keeps getting back up when she’s knocked down.
She’s persistent. Pamela has such obvious joy over having been selected to be the Pfister’s Artist-in-Residence. She comes to the role after showing that commitment is not defined by overnight success but by what you do in the face of rejection to show that you really want something.
She’s super talented and charming. Her paintings brighten spaces all around town, and now we’re blessed to have them showcased at the Pfister. I’ll give guests wandering into her studio a warning shot…give yourself some time to stop and chat because you’ll find it’s hard to pull yourself away from the great conversation you are bound to have with Pamela.
She’s got great taste. Her studio is going to shine because of her great eye for style. She’s one well-put-together lady, too. When I see her coming, I’m happy to straighten my tie and step up my game.
Pamela and I got to spend some time together chatting about what it means to be an artist in service to the Pfister, and I know she drank deep from the well of knowledge that is our outgoing Artist-in-Residence Todd Mrozinski. Pamela is primed and more than ready to define the next twelve months in her own terms. Watch as she bursts on the scene at the Pfister and takes us all on an artistic journey of thrilling twists and turns. I know I’m tickled with excitement about what’s about to come.
Have a happy day one, Pamela. What a joy it is to have your splashes of color and wit adding new dimensions of life at the Pfister. Make the experience your own in each and every way and everyone will win big.
Follow me on Twitter @jonathantwest for more smart remarks and snappy retorts.