The Pfister is thrilled to announce that we’ve named Stephanie Barenz as the fifth Pfister Artist-in-Residence. Stephanie will begin her residency on April 1st after our current and fourth Artist, Timothy Westbrook ends his. Stephanie was chosen by the Pfister’s selection committee made up of community leaders in the arts and other disciplines. You can learn more about Stephanie at her website, stephaniebarenz.com.
Additionally, finalist Eddie Villanueva finished first in the public round of voting and will receive a solo art show at Gallerie M in the InterContinental Hotel.
“The Pfister is the perfect stage for my work, which deals with how travel affects one’s relationship to place,” said Barenz. “The hotel carries thousands of stories from over a hundred years. The Victorian art collection, the antiques, and spaces have served as silent witnesses to all of it.”
“Over the course of the year, I plan to create a body of work that will include 20 to 30 paintings. Images of these paintings will be turned into a book and I plan to collaborate with the Pfister Narrator, the hotel’s writer in residence, to write text for the images. I am so looking forward to moving into the studio, starting my project, and getting to know more of the Milwaukee community through my platform at The Pfister.”
Barenz primarily paints and draws on wood panels using a range of media, including acrylics, sumi ink, and pencil. A Milwaukee-area resident for the past two years, she currently works as a full-time artist at Plaid Tuba, the studio of The Pfister’s first Artist in Residence, Reginald Baylor. With extensive experience teaching and studying art, Barenz has taught in Southeast China, studied in Florence, Italy, and completed a one-year residency at the Chicago Printmakers Collaborative. She graduated from Washington University in St. Louis, Mo., with a Master of Fine Arts degree.
The Pfister carries thousands of stories from over a hundred years. The famous Victorian art collection, the antiques, and rooms have served as silent witnesses to all of it. Every day a new story is written and this is where my proposal begins.
The title “The Carriers” is used to describe how I would use images of the hotel’s people and objects to “carry” the memories and stories of the Pfister. For example, I woudl ask guests if I could interview them about where they were coming from, their visit at the Pfister, what they brought with them, and what kind of transportation brought them to Milwaukee. I would then paint an image of their luggage or the train car that they arrived in that is piled high with their stories and memories from our conversation. Our conversation would most likely extend beyond their stay at the hotel and I would work from images they give me.
I would also create works solely based on the hotel’s past and present history. Anything could carry a memory, such as a hotel room or an old chandelier. This playful approach has endless possibilities. I would turn the Victorian collection and the hotel archives for imagery and inspiration.
Over the course of a year I would like to create an entire body of work entitled “The Carriers” that would include 20 to 30 paintings. I would turn these images into an illustrated book and hopefully collaborate with the Pfister resident journalist and storyteller to write some text for the images.